Thursday, 21 February 2013

Influences: Let's Be Honest

What is the deal with people and influences anyway?  None of us are very honest about who and what has influenced us.  I mean, come on, think about the last time someone asked you who your influences are.  What did you come up with?  Let me guess, you didn't include your addiction to celebrity gossip magazines?  Did you mention that you read that blog about kittens?  No, of course you didn't.  You went on and on and on about how moved you were the first time you read Tolstoy.  You've read "As I Lay Dying" by Faulkner too many times to count and are still blown away by his experimentation with point-of-view.  Baloney.  Okay, a few of you might actually pass the test and do count every single important work of fiction as the backbone of your own writing process.  Great.  I commend you for your efforts.  The rest of us are lying.  Wait, I don't want to cause a fight.  You aren't liars.  Basically, when I say that all the most significant themes in my writing can be traced back to Keats, I'm lying.

We do the same thing with music.  If someone were to sit down and ask me about my influences you can bet the farm that I'm not going to say Hanna-Barbera's live-action costume show "The Banana Splits".  Still, if I think back on how UNBELIEVABLY AWESOME I used to think the musical performances on that show were when I was but a wee lad, they have to be considered an influence.  It also must be considered that I spent much of my youth apparently on acid or sugar-stoned on Cap'n Crunch:


So, do I ever tell anyone (other than you...because you're just that special) that The Banana Splits were a huge musical influence in my life?  No.  Instead, I will, of course, protect my pride and say that I was influenced by the Sex Pistols, The Smiths, Prince, REM, The Doors, Radiohead, the Arcade Fire, etc.  Don't get me wrong.  I love those bands and they have all shaped who I am.  They can certainly claim to be my musical influences.  But where then do I put Slade or the Butthole Surfers?  On the book front, I can do the same.  I love Faulkner to death.  I am, actually, quite blown away by his experimentation with point-of-view in As I Lay Dying even if I mocked people for doing so...oh...about two paragraphs ago.  It's groundbreaking.  But, if I'm going to be honest, my greatest influences came from the dog-eared pages of comic books and Mad Magazine.  So, I thought that I might travel back through time and match up my influences based on what I can remember from different time periods in my life.  This is not to be an exercise in cool though.  I certainly wasn't listening to the Sex Pistols when they formed back in 1975.  I was four-years-old and I had no way of minding or neverminding the bollocks even if I wanted to.  So, I think that I'll narrow it down to the decades of my life.  I'll try to be truthful even when my music-ego starts to get a little uneasy.  It's about honesty.  Right?  Let's go.

The 1970s


My first real musical influences, beyond that of the musical guests on the Muppet Show, were the result of my father's purchase of a new car.  It was an Oldsmobile Cutlass Supreme and it had, of all things, a cassette tape player.  Our family's first car was a little Honda hatchback and it only had an AM radio and I grew up listening to what rural AM radio had to offer.  I, for example, did not know at the time what an "Afternoon Delight" was and the Captain and Tennille were regular favorites of mine (I said I was going to be honest.  Yes?).  Once my dad made the car upgrade, he also started purchasing tapes on a regular basis.  He had a little brown faux-leather tape case and it was filled with cassettes.  He had the Doobie Brothers in there.  Chuck Mangione.  He had some Donna Summer.  But, one duo stands out:  Hall and Oates.  I have grown to love Hall and Oates.  Their songs remind me of what my life was like before my parents got divorced.  I sometimes wish it had stayed that way.  Oh, mom and dad, say it isn't so (it isn't so...so...so):



As to books from the 70s, I'm going to have to go with the first book I ever remember picking out at a bookstore, paying for with my own money, and bringing home to read.  I'm sure I bought other books.  I remember my room being nearly filled to over-flowing with books.  But, this one stands out for some reason.  I give you:



The 1980s


So, before I get started on the 80s, you have to understand that this is a pretty massive developmental time-period for me.  I began the 80s as a wide-eyed nine-year-old.  I ended it as a a young-man about to head off to college.  Still, on the book front, my strongest influence was an easy one.  There has, nor may there ever be, a book that has had a greater influence on my life than this one:


Honestly, this book made me write my first serious short-stories in fifth grade.  I became a Dungeons and Dragons nut because of this book.  I drew dragons and elves and dwarves and goblins within the margins of my notebooks from middle-school, up through high-school, into college, and, if I'm honest, into staff meetings here in the present.  Let me sum things up with a confession:  I cried during the movie-version of Return of the King when the Riders of Rohan came up over the crest and charged down into the Orc army's flank.  I literally wept during that scene.  That's an influence.

As to music, I guess it is time for some honesty.  It'd be cooler to say The Clash or Jane's Addiction or The Smiths or The Pogues or some other suitably acceptable band for the serious music fan.  Hell, I could earn some serious street-cred by telling you that I was an early-adopter of rap music (which I was). I'd be lying though if I claimed any of them as my most significant influence.  I never would have discovered those bands above if I hadn't discovered someone else first.  I can remember the moment quite clearly.  It was the early 80s and my local cable provider expanded their channel offering from ten channels to twenty.  One of those channels was MTV and it made my mind blow up in a way that can only happen when a small-town boy is exposed in a single moment to the rest of the world.  It was because of MTV that this happened:


Sadly (and so very un-metal), you can't watch one of their videos here on our blog.  You can, however, run off to YouTube and watch it there.  Just promise that you'll come back.

Oh, sweet hair metal, you don't know how much I owe you.  Let me just explain one thing first, I freaking LOVED Motley Crue.  I wrote their name on my backpack.  I drew pentagrams on my school notebooks.  I wanted to be Nikki Sixx.  I wore their t-shirts.  I wanted to go home-sweet-home just like EVERYONE else in the 80s did.  Today, I wouldn't come within ten feet of so much hairspray.  But, why might they then be one of my greatest influences?  Even if they were responsible for lesser hair-metal bands?  (I'm talking to you White Lion!)  Well, let's put it like this:  Motley Crue helped me to discover The Cult who beget Jane's Addiction who beget Nirvana who beget Pearl Jam...you get the idea.  If I hadn't discovered Motley Crue, I would probably have ended up listening to, excuse me while I throw up a little, Loverboy or Foreigner or Air Supply or even (gulp) Styx for the majority of my middle and high-school years.  Domo arigato, Mr. Roboto indeed!  Oh my, I don't even want to think about it.  I probably would have bought a Richard Marx album, too.  Oh, the humanity.  Also, being that honesty was what I promised, I still love Motley Crue.  Shout at the devil, baby.

The 1990s

Okay, finally, I've made it to the years when I became really, really cool when it came to music.  The 90s also happen to be when I became really serious about reading.  I don't want to give the wrong impression.  I wasn't reading a lot.  Okay.  I was reading a lot but not as much as I should have been.  I was reading serious books and I mean for that to sound just as arrogant as it does.  I was in college studying literature and writing.  I was reading Ulysses and Mrs. Dalloway.  One of my professors got me hooked on the short-stories of Anton Chekov.  I spent my weekends with my nose buried in Isben.  Yeah, I was that guy.  I wasn't really cool with popular fiction at the time.  Looking back, I was a tool.  Okay, I shouldn't be so harsh on myself.  I was only being a tool because my professors were insisting that, if I were going to be a serious writer, that I had to be reading that stuff.  I've come to understand that they were wrong.  I hold them personally responsible for how long it took me to pick up the first Harry Potter book.  I did though have comics to fall back on.  Graphic novels became my thing.  I was all over them.  One series of comics really stood out for me and I still hold the author in ridiculously high-esteem:


Now, so far as music goes, the 1990s were my moment to shine.  I was a deejay at my college radio station and I had access to tons and tons and tons of new music.  It became a matter of pride to discover new bands and expose my peers to them.  I relished it and I still take great joy in doing so today.  I could go on for days about the bands that influenced me during that decade.  Nirvana.  Radiohead. Alice in Chains. Soundgarden. The Screaming Trees. Smashing Pumpkins. Nine Inch Nails.  Rage Against the Machine. Beck.  PJ Harvey. Still, only one band took the throne.  Pearl Jam.  I know that their albums are sometimes hit-or-miss.  The war they waged against Ticketmaster didn't exactly make them easy to see live.  But, from the first moment I saw the grainy video for "Alive" and I watched Eddie Vedder climb up into the balcony and dive down into the waiting arms of an enamored audience, I was theirs.  I've come to grow into the realization that Pearl Jam have become something more than a band for me.  They represent my own movement through time. They grow with me.  They've had children and started families.  I've done that, too.  It's a little fanboy of me but I sincerely feel like we share something together.  We have a relationship together.  Their frontman could put out an album of ukulele songs and I'd be right there with them.  Oh, wait....right.  Anyway, you can forget Phish.  The greatest touring band on Earth are Pearl Jam.  Honestly, does anyone do it better?


The 2000s


The first decade of the new century.  Musically, this one is really, really, really easy.  In trying to think of a band that has really meant something to me, it was very clear.  I considered briefly going with My Morning Jacket.  I love them.  I've seen them live more than any other band including Mr. Vedder and his gang of ruffians.  Still, while MMJ soar and ride around on these massive spectacles of grandiose southern-fried experimentation (I do consider them America's only real challenger to Radiohead), they didn't give me, in the past decade, what I got from Arcade Fire.  Maybe I discovered My Morning Jacket too late.  My first contact with them came from the album "Z".  In the meantime, Arcade Fire had me from the very first moments of The Funeral and they haven't let me go since.  I have never felt more exhilarated by the promise of a live performance than I did the first time I drove up to Montreal to see them live.  I was giddy.  Finally, with Pearl Jam and the Arcade Fire, we've reached the place where who I believe I am musically lines up with who I really am.



When it comes to books, my influences shift their focus.  I've tried to become very deliberate with how I live my life.  I spend my money on the people and products that have proven they stand for the same things I do. I have never had a more direct correlation between a book that I read and the changes I made in my own life than I did after reading Eric Schlosser's Fast Food Nation.  I remember the night very clearly when I finished that book.  I was lying in bed and I turned to my wife and said "I'm never eating fast food again."  I haven't.  It was over.  I later read Michael Pollan's Ominivore's Dilemma which only solidified the choices I had made.  But it all started with Eric Schlosser and, being that Big Macs used to be one of my most-guilty of pleasures, I have to say that's quite an influence.


I'm not sure what is coming next.  We never do.  I wonder though if any of the bands that I'm currently in love with will go the distance and be considered an influence in-and-of-themselves.  I currently love the music being put out by Fleet Foxes, The Lumineers, Japandroids, and the Black Keys (to name only a few). When this decade is over, will I look back on them or will they be surpassed by a band that hasn't even cut an album yet?  I don't know.  But it will certainly be fun to find out.

As far as book-related influences go, I feel like my greatest influences come from my amazing CPs and a band of beta readers that I've been lucky enough to join forces with.  Honestly, is there anything more influential than knowing that you aren't in this thing alone?  Is Jonathan Franzen reminding me on Twitter to keep moving forward with my re-write?  No.  Does Suzanne Collins send me emails that push me to be more demanding on my own work?  To move my writing from okay to great?  No.  Did JK Rowling just tell me to keep my chin-up after one more rejection?  Not that I noticed.  How can I call them influences then?

So, don't leave me hanging people.  We're all friends here.  Give it to me straight, who are your influences (especially the ones you don't want to admit...somebody had to buy all those Milli Vanilli albums)?

Paul Adams spends his time in the wilds of Vermont fighting bears to protect his wife and two kids.  He teaches high school English, writes MG/YA stories, embarrasses his family on a regular basis, and lets his geek-flag fly proudly.  He dreams of being a member of the Pixies. 

Sunday, 17 February 2013

The Next Big Thing

Readers comb through bookstores...agents scour slush...editors sift through submissions...critics devour debut novels...all searching for The Next Big Thing.

Me? I troll YouTube. Not for new writers, but for new artists. :)

Sure I'm on iTunes weekly *cough* daily *cough* checking out the Single of the Week and surfing through Genius recommendations, which many or may not be anywhere close to genius. But I'm not afraid to jump into the time-sucking YouTube waters either.

And YouTube is where I discovered Hannah Trigwell.* (Or technically, where my husband discovered Hannah Trigwell and I am henceforth taking half-credit. :D) A singer-songwriter from Leeds (I have a crazy fondness for English artists), Hannah is the real deal. We stumbled upon a clip of her singing a cover of Taylor Swift's song We Are Never Getting Back Together--it was a collaboration with Boyce Avenue, who is also now Hannah's label-mate--and Hannah's voice blew us away.

Here's that clip, but wait. Don't listen . . . yet.



Then we listened to her cover of Hallelujah (just-wow), and proceeded to watch heaps of her videos. The girl has her own YouTube channel, which is impressive. Talk about knowing how to reach an audience and being a savvy social-media marketer which is key in today's digital world. Hannah recently inked a deal with 3 Peace Records, which makes me all kinds of happy, because it means I'll get to hear more from her.

But back to Hannah's voice. It's amazing. Rich, textured, emotive. It's got qualities that remind me of Taylor Swift, Natalie Mechant, and Ingrid Michaelson, and yet, Hannah is just Hannah.

Of course, the minute I left YouTube, I went straight to iTunes (yup, no willpower y'all. My Christmas giftcard didn't last long!) and downloaded her original album, Pieces, which has three songs: Headrush, Pieces and Give It Up. Headrush is my favorite track, but all three are fantastic.

Here's a YouTube clip of Headrush. I chose this video because you can see her album cover but this clip is just her voice. So sit back, close your eyes, and listen. 



Amazing right? Now go back up and listen to her cover of TSwift. Totally awesome, I know. :)

Here's another clip of her singing an original song, Give It Up. It's just Hannah, a microphone and a guitar. Check it out...



What kills me is how many people just walk by Hannah . . . and never stop to listen. Many don't even look her way. 

Are we really all that busy? How many books have people missed because they don't recognize the name, or are too busy to stop and read the back jacket of an unknown debut author, one that didn't have all the hype?

I don't know if Hannah is the Next Big Thing or not. I do know that her album rocks, and that if she comes to the States anywhere close to me, I'll go see her. In the meantime, I'll enjoy her U.S. debut. She may not be a big name (yet) but I like her voice and her music, and I'm so glad I stopped to listen. 

So take a chance. On an unknown writer, on a hometown band just starting out or on a singer-songwriter halfway around the world. You just might be surprised.:)

What new artists/bands have you discovered lately? And do you think they just might be the NBT?

*FYI: You can find out more about Hannah Trigwell on her website and on Twitter.






Thursday, 14 February 2013

"Grown-Up" "Love" Songs


When I was in high school, I had a teacher who delighted in showing Predator to his students on Valentine’s Day. His broader meaning was clear: Valentine’s Day is a Hallmark holiday worthy of ridicule. His deeper meaning wasn't clear to me as a teenager, but it's crystal clear to me as an adult: Predator is a metaphor for what "grown-up love" will do to you, if a little over-the-top.

Puppy love gets all the pop songs and all the ennui, but it’s grown-up love that devastates you. One of the things nobody tells you about adulthood, until you find yourself mired in it, is how complicated and insane and ill-timed grown-up love can be. Why? Because the stakes are so much higher. Love has always been a gamble, but now you're standing at the roulette wheel with way too much riding on red.

But what really makes grown-up love so different than the very real, very heartbreaking stuff of youth? Laugh all you want, but Nicolas Cage as Ronny Cammareri in Moonstruck gives the best description of the difference that I've ever heard:
Loretta, I love you. Not like they told you love is, and I didn't know this either, but love don't make things nice—it ruins everything. It breaks your heart. It makes things a mess. We aren't here to make things perfect. The snowflakes are perfect. The stars are perfect. Not us. Not us! We are here to ruin ourselves and to break our hearts and love the wrong people and die. The storybooks are bullshit! Now I want you to come upstairs with me and get in my bed! 
Naturally, this speech works splendidly in the movie; Loretta and Ronny wind up together in a hilarious finish. That’s Hollywood, where grown-up love works out for the best. In real life, of course, love gets increasingly complicated the older you get. And nobody tells you that!

On this Valentine's Day, I’d like to explore some songs that deal with the ups and downs of grown-up love; songs that are beyond simple broken hearts and he-said-she-said emo posturing. These are the songs of people who were a little bit destroyed by grown-up love. They may have moved on by now, but the record remains.

Happy Valentine's Day.

Pardon My Heart—Neil Young 
They say the opposite of love is not hate but indifference. That seems to be what “Pardon My Heart” is all about. Sometimes, there’s no big breakup. Sometimes, things just change. Sometimes, things get comfortable. You don’t realize the spark is gone until you try to get it back. And many times, it doesn't come back. With grown-up love, you bring it all on yourself.


Ventura—Lucinda Williams 
Grown-up love can leave you aggrieved in ways that young love does not. Sometimes you can’t cry about it. You drive around in your car, listening to music, wishing you could just walk into the ocean. “Ventura” could be about death or the end of a relationship; it’s so far from being on-the-nose that the distinction between the two is blurred, as it often is in real life.


Love Reign O’er Me—The Who
I was friends with someone who told me that Quadrophenia helped him get through his 30s. I never understood what he was on about until I reached my 30s. After all, the album is the story of a mod teenager trying to find his way. But the resilience of youth is strikingly absent. The landscape is so bleak and the prospects are so hazy that “Love Reign O’er Me” fits within an adult’s experience perfectly. Sometimes there’s nothing to do except stand out in the rain and scream and hope it brings you relief somehow.


Somebody That I Used to Know—Gotye
Say what you will about the most ubiquitous song of the past year (second only to “Call Me Maybe” or “Gangnam Style”), but Wally De Backer wrote a refreshingly unique earworm about the boring, humiliating, ridiculous ugliness of a grown-up breakup. There’s no big fight, no dramatic exit, no obsessive pleading; just a collection of personal belongings and the changing of phone numbers. It’s so anti-climactic it hurts.


The Actor—The Moody Blues
Infatuation doesn't end when you grow up, and the desire to escape grows more intense the older you get and the more tied into life you become. “The Actor” describes a woman who becomes besotted with an actor she sees on television. This kind of separation from reality is something that we, as adults, experience more as the years go on and our lives solidify. Things seem more unattainable than ever before, including love, especially if we haven’t found it yet. 


Can You Get to That—Funkadelic
Writing checks for love that your heart can’t cash. This is another grown-up break-up song, but one that acknowledges the price of our indiscretions. As we enter into ever more serious relationships, the increasing (potential) consequences to our actions can become the reason why we shrink from responsibility. Sometimes being honest in a relationship is the toughest thing you can do, but it’s a big way grown-up love is different from puppy love. Grown-up love sometimes requires us to be mature when we don’t want to be, when it doesn't seem fair, and when doesn't feel good. Can you get to that?


Enchanting Ghost—Sufjan Stevens
It’s hard to know if Sufjan is writing with religious or romantic overtones, so I’ll keep with the theme of this post and extrapolate the latter meaning from this song: Sometimes we want to know why someone wanted to be with us in the first place. Grown-ups like to over-think like that. Other times, we can’t bear to disrupt the few fond memories we may have of the person we once gave all our love to. That “enchanting ghost” that keeps us from feeling like we've been fooled, that we've wasted years of our lives—years that are suddenly more precious than we could have ever imagined in our younger days. The end result is that sometimes we stay with the wrong person because who they were, and who we want them to be, mean more to us than who they really are.


Teenagers: You've been warned!

What are your favorite “Grown-Up Love Songs”? Let us know in the comments!